Bio
Jōvan Dansberry is a New York–based director, choreographer, and performer working across theater, television, and other live performance. His work centers on dance as a driving force in storytelling- blending movement and music to create dynamic, emotionally resonant experiences. Recent collaborations include Let the Good Times Roll (Phoenix Theatre Company, Associate Director), The Little Mermaid (Paper Mill Playhouse, Associate Director), Midnight in the Garden of Good and Evil (Goodman Theatre, Associate Choreographer), The Preacher’s Wife (Alliance Theatre, Associate Choreographer), and Porgy and Bess (The Metropolitan Opera, Assistant Choreographer).
Having performed in Bob Fosse’s Dancin’, Wicked, MJ, and at The Metropolitan Opera, Jōvan now focuses on developing both new works and reimagined productions that expand how movement shapes narrative and deepens audience connection.
Vision
In a world increasingly shaped by technology and artificial intelligence, I seek to reignite a collective appreciation for the immediacy and magic of theatre and live performance. By blending dance, theatrical storytelling, and bold production design, I hope my work transforms “performance” into an EVENT, a shared experience that captivates and connects. Each project aims to engage audiences across generations and backgrounds, positioning theater as a vibrant form of social entertainment that not only entertains, but also sparks conversation, reflection, and a passion for the power of live performance.